Friday, November 29, 2013

Our upcoming December meeting


What: FCPS Holiday brunch and still life painting
When:  Saturday, December 7, 2013
Where: The Art Studio, 370A AIA Beach Blvd., St. Augustine Beach, FL
Time: 9:00 AM to 1:00 PM

It's hard to believe we are completing our second year as an organization, and next Saturday we will be celebrating our second holiday brunch and still life painting session.

This year we will be at The Art Studio in St. Augustine Beach.


As you can see from this photo, taken at one of our workshops, it's a large, light, airy space, with plenty of FREE parking! Note we are starting an hour earlier than our usual 10 AM in order to give us all time to share a meal together. We will then have a couple traditional still lifes set up. But The Art Studio is right on the beach so, weather permitting, folks may also choose a beach plein air scene.

Note that this morning is the day of the holiday parade in St. Augustine, so AVOID GOING THROUGH TOWN - but come across on route 312. It you turn east on 312 from route 1, for example, you continue along 312 and straight across as you reach A1A, and this road will eventually curve around, and you will find The Art Studio on your left. We hope to see you ALL there!

Tuesday, November 26, 2013

An exciting holiday opportunity


What: Artist's Reception and monthly Art Walk
Where, Gallery 26, 301 State Route 26, Melrose, FL
When:  Friday, December 6, 6-9 PM

Wow, what an exciting opportunity has arisen for the First Coast Pastel Society. Many thanks to member Linda Hart Green who established the initial connection that led to our opportunity to have a member show at Gallery 26 in Melrose, FL.

The whole idea arose very recently, so members who wanted to participate had to work fast to have entries ready in just a couple short weeks!


But it was well worth the effort. Gallery 26 is a wonderful light, airy space, and a very nice place indeed for us to have this show. The month of December is a fun one in Melrose with all sorts of events going on for the holidays, and now our member show can be part of it.


Melrose  is quite a long distance away for most FCPS members, so we arranged for several members who agreed to drive down, and we all carried works there for other artists. We were met by Betty Bennett from the gallery who gave us a warm welcome.


Considering the short lead time we had for this show it was great that so many members stepped up to participate, and we have almost 50 pieces of work entered in the show.


The paintings were all stacked around the perimeter of the gallery as we unloaded them from the car, and as the previous show was coming down.


As I walked around the room I was struck again by the amazing caliber of the work. The First Coast Pastel Society has every right to be proud of this show!


Betty warmly welcomed us to show up for their monthly Art Walk and reception on the first Friday of the month, December 6, from 6-9 PM.


Despite the distance I think it's well worth it, and it would be great to get a nice turnout from our FCPS participants and other members and friends as well.


It's hard to believe our organization is not even quite two years old. When you see the work in this show you can see there was definitely a need for a pastel group in the Northeast Florida area.


So thanks also to our President, Lyn Asselta, for being the driving force behind getting us off the ground.


I heard from Betty Bennett via email that the show was hung that afternoon. In her words:
The show is hung and it looks  beautiful in the Gallery 


Of course these are not great photos - pastels under glass don't photograph well. And I was not trying to talk formal photos - just snaps to give an idea of the scope of the show.


I apologize to artists whose work I missed. But that means you all just have to come to Studio 26 to see the show for yourselves! I hope to see you there.

Saturday, November 2, 2013

A thought-provoking November meeting


Today we held our meeting at the Cultural Center at Ponte Vedra Beach, a very lovely facility indeed, with impressive gallery space, and wonderful classrooms such as the one used for our meeting - spacious and with great lighting. We will hold our spring juried show here, and got to preview the space where our work will hang.

Despite the monsoon-like rains that caused lots of street flooding we had 18 attendees show up at the meeting this morning.


Those who braved the weather were treated well. The spread of food was so amazing it almost looked like our holiday party. We certainly had plenty to eat and drink! Special thanks to Carron Wedlund and Jimmy Blackwell for providing a lot of the food and drink. The tangerines from Jimmy's own tree were delicious.

While we feasted our president, Lyn Asselta, led us in an overview of the discussion topic of the morning: Artists' bios, statements and resumés, with ideas about what they should and should not include. We also had lots of examples to review.


After her overview we broke into teams to work on the questions presented to help us come up with ideas for our own bios, statements and resumés. The discussion was thought-provoking, and everyone, from experienced artists, to newly fledged artists came away with ideas they could include.

Our meeting next month will be a holiday brunch and still life painting session held at The Art Studio in St. Augustine Beach, so stay tuned here for more details on that.

In the meantime, for those who missed the meeting, here are some of the review questions:

What is an Artist's Bio? 
An artist's bio gives someone an insight into what has influenced you as an artist, and briefly states your process, and your reason for making art (generally written in third person)

Questions to ask yourself:
1) What art/life/educational experiences have led you to your current stage as an artist?
2) Do you have a particular technique that people might be interested in?
3) Are there any artists who have influenced your work?
4) What/who motivates you to paint, and how does it affect your subject matter?
5) Is there something in particular that you would like to be noted for?

What is an Artist's Statement? 
An artists's statement generally is written in the first person, and briefly states the philosophy you wish to share with the world about your art.

Questions to ask yourself: 
1) Do you have a personal philosophy related to your art?
2) Is there a reason you choose to paint particular subject matter?
3) Is there something you'd like to tell the world about your art?

Note: Some too-often used phrases:
- "And I've never looked back..."
- "trying to capture a moment in time ..."

What is an Artist's Resumé? 
An artist's resumé is a chronological listing of your accomplishments. It is generally divided into years and lists of shows, awards and other honors that you have been the recipient of.

It also clearly shows the artist's name, provides complete contact information for the artist, and usually lists professional memberships, and gallery representation (if any). 

Questions to ask yourself? 
1) How many years should you go back with your resumé?
2) Have all your noted accomplishments been directly related to your art career?
3) Which galleries currently represent your work?
4) Have you clearly noted your contact information?
5) What sort of honors/awards have you won for your art?
6) Have you noted art-related residencies and scholarships?
7) Do you hold memberships in art-related organizations?






Friday, October 25, 2013

November Meeting


Date: Saturday, November 3, 2013
Time: 10 AM to 12 noon
Place: The Cultural Center at Ponte Vedra Beach, 
                     50 Executive Way, Ponte Vedra Beach, FL 32082

We hope we have a great turnout for our next meeting at our new "home" in Ponte Vedra Beach. We have taken a group membership there, so will have a couple of our meetings there as well as a show.

It should be an interesting meeting, and you all have a little homework assignment before the meeting. The following is from our president, Lyn, on what we each need to do:
Topic:  Roundtable Disscussion:  
"Who Are You??  Writing your Artist Bio, Resume and Artist Statement"
Whether you are updating or creating a website, searching for a gallery to represent your work, applying to a show or a residency, creating a PR piece, or in need of information for an article or press release, having these three things on hand will make your life as an artist a whole lot easier.  Marketing yourself is complicated, and it starts with knowing how to describe yourself and your art.
Please bring the following:  a notebook or tablet (something to take a lot of notes on and to write on)copies of whatever you currently have in the way of resumes, artist statements and artist bios, or a list of your recent artistic accomplishments
Executive Way is off A1A. If you are coming south on A1A it's on the left, just past Corona Rd. If you are coming north on A1A it's on the right, just past Mier Rd. Once you turn unto Executive stay to the right  and you will see the Cultural Center there on the right side.

Thanks - to and from Michael

(photo by Carron Wedlund, edited by Marie Marfia) 

We all received the following email from Michael:
I want to thank you all for a truly wonderful workshop this week!  I had a great time and enjoyed working with each of you. 
And we can say the same thing in return. The workshop was a wonderful opportunity for all of us to learn, and a great chance to be together with other FCPS members. As a pastel society we have come a long way since we were first formed nearly two years ago.

2014 should bring us even more adventures and shows and workshops. Stay tuned to this space!



Wednesday, October 23, 2013

Michael Chesley Johnson Workshop - Day Three

Today was the last day of our workshop, and for our final day we had glorious weather - sunny and crisp, low 70s, a nice breeze blowing. We met this morning at Ocean Hammock Park in St. Augustine Beach, a lovely gem located right on the beach. It's a very new park, still under development. So new it doesn't even seem to have a web page, LOL. 

A few people got held up in traffic this morning, and while we waited for them we all gathered in the parking lot, and Michael passed around a couple books that he felt are very valuable for every landscape artist's library:

1)    Carlson's Guide to Landscape Painting, by John F. Carlson
2)    Composition of Outdoor Painting by Edgar Payne

After that we left our painting and drawing stuff in the car to just take a walk along the 1700-foot boardwalk. It led us through the hammock, where the Muhly grass was in glorious bloom.

 From there we passed on and over the dunes, lively with waving sea oats.

And then out to the broad wide expanse of the beach.  After this overview we all had the morning to do our color sketches and drawings, and to take as many photos as we pleased of the varied scenery.

At mid-day again it was time to pack up and head back to the studio. Michael first reviewed our paintings from yesterday's studio, as we had not had time for that before the end of day yesterday. He then reviewed our drawings and sketches from this morning, which was helpful in deciding what to work on in the studio for the afternoon.

After that we all got to work on compositions based on the morning at the park. And then we had our final review of the works we did today. What fun it was to see all the work done by the students in the class. We all had a great time, and it was hard to say goodbye to Michael and head out the door. Maybe we can invite him back again one day.

But in the meantime Michael said we are certainly welcome to come to one of his other workshops in Sedona or Campobello, or wherever they happen to be. 

Tuesday, October 22, 2013

Michael Chesley Johnson workshop - Day Two


Today's "plein air to studio" workshop began on the fishing pier at Vilano Beach, guarded by the Bluebird of Happiness.

We gathered first at the pavilion at the beginning of the pier to listen to Michael lecture. He wanted us to choose 2-3 locations of interest and do small color studies of them, concentrating on large blocks of color and no details. But once you found a favorite you should go back and do a more detailed pencil drawing of it.

Michael himself chose the Bluebird of Happiness as his first color study,which he began as a demo for the class.

There were lots of fishermen on the pier going back and forth, occasionally glancing at what we were doing. But it was not only the human fishers who had their eyes on the pier!

But while the bluebird remained happy, nature itself did not. By mid-morning the heavens once again unleashed their powers with heavy rains - causing most of us to run for cover under the big pavilion, where we were able to finish up what we were working on before breaking again at mid-day to head back to the Art Studio for lunch and the afternoon session.

At the studio Michael took his two color studies from the morning and showed us how he enjoyed creating a single-piece "diptych" - so that instead of having two actual images, he combined two, each of which could stand alone, but with something in the center of the painting to join the two.

And we all worked in the studio on trying to rework the images from the morning into different configurations, and when we found something that pleased us to try to work it up into a small finished piece for the day.